Friday, April 15, 2011

Love, Life, Story, Dirty, death, kitchen, Cooking
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Cooking Dirty: A Story of Life, Sex, Love and Death in the Kitchen





  • ISBN13: 9780374532277
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! BUY WITH CONFIDENCE, Over one million books sold! 98% Positive feedback. Compare our books, prices and service to the competition. 100% Satisfaction Guaranteed


Cooking Dirty is a rollicking account of life “on the line” in the neighborhood restaurantsâ€"far from culinary school, cable TV, and the Michelin Guideâ€"where most of us eat out when we eat out. It takes the kitchen memoir to a rough and reckless place.

From his first job scraping trays at a pizzeria at age fifteen, Jason Sheehan had the full range of kitchen experiences: in a French colonial bistro and an all-night diner; a crab shack just off the interstate and a fusion restaurant in a former hair salon. Restaurant work, as he describes it in exuberant, sparkling prose, is “the last true American meritocracy. No one cares about your past or what you do on the outside. Can you cook? That’s all anyone cares about.” The kitchen crew is a fraternity with its own rites: sneaking cigarettes in the walk-in freezer, having sex in the basement, surviving the wartime urgency of the dinner rush. Cooking is a series of personal challenges, from the first perfectly done mussel to the satisfaction of surgically sliced foie gras. And the kitchen itself, as Sheehan tells it, is a place in which life’s mysteries are thawed, sliced, broiled, barbecued, and friedâ€"a place where people from the margins find their community and their calling.











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Eclipse Series 19 - Chantal Akerman in the Seventies (La Chambre / Hotel Monterey / News from Home / Je Tu Il Elle / Les Rendez-vous D'Anna) (The Criterion Collection)





Over the past four decades, Belgian director Chantal Akerman (Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles) has created one of cinema’s most distinctive bodies of workâ€"formally daring, often autobiographical films about people and places, time and space. In this collection, we present the early films that put her on the map: intensely personal, modernist investigations of cities, history, family, and sexuality, made in the 1970s in the United States and Europe and strongly influenced by the New York experimental film scene. Bold and iconoclastic, these five films pushed boundaries in their day and continue to have a profound influence on filmmakers all over the world.

La Chambre (1972, Silent, 11min) : In this early short film, we see the furniture and clutter of one small room in an apartment become the subject of a moving still lifeâ€"with Akerman herself staring back at us. This breakthrough formal experiment is the first film the director made in New York.

Hotel Monterey (1972, Silent, 62 min): Under Akerman’s watchful eye, a cheap New York hotel glows with mystery and unexpected beauty, its corridors, elevators, rooms, windows, and occasional tenants framed as though part of an Edward Hopper tableau.

News From Home (1976, French w/ English Subs, 89 mins): Letters from Akerman’s mother are read over a series of elegantly composed shots of 1976 New York, where our (unseen) filmmaker and protagonist has relocated. Akerman’s unforgettable time capsule of the city is also a gorgeous meditation on urban alienation and personal and familial disconnection.

Je, Tu, Il, Elle (1974, B/W, French w/ English Subs, 86 min): In her sexually provocative first feature, Akerman stars as a nameless, rootless young woman who leaves self-imposed isolation to embark on a road trip that leads to lonely love affairs with a male truck driver and a former girlfriend. With its famous real-time sexual encounter and its daring minimalist plot, Je Tu Il Elle is Akerman’s most audaciously erotic film.

Les Rendez-vous d'Anna (1978, French w/ English Subs, 127 min): In one of Akerman’s most penetrating character studies, Anna, an accomplished filmmaker (played by Aurore Clément), makes her way through a series of anonymous European cities to promote her latest movie. Through a succession of eerie, exquisitely shot brief encountersâ€"with men and women, family and strangersâ€"we come to see her emotional and physical detachment from the world.

Eclipse is a selection of lost, forgotten, or overshadowed classics in simple, affordable editions. Each series is a brief cinematheque retrospective for the adventurous home viewer.









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